Showing posts with label documentaries. Show all posts
Showing posts with label documentaries. Show all posts

Saturday, August 15, 2009

The Cove

One of the most talked about documentaries on the film circuit this year opened in theatres this week, and having found ourselves with a rare afternoon off, Joe and I of course went to go see The Cove, a documentary about a small, carefully-guarded lagoon in Japan, where over 20,000 dolphins are killed every year. The press about this film has been overwhelmingly positive and I have to add my voice to the accolades, and my most sincere urging to go see it. It’s not only an activist film, but a taut, harrowing thriller. It teems with passion, and rarely did I feel that it was showboating or soapboxing.

Joe, a staunch vegetarian, ranted afterwards about people who are horrified that anyone could eat a dolphin, but who are happy to eat cows or pigs, to which I had no reply, since I might be counted as one of those people. And sure, I could see his point, being a lapsed vegetarian myself (but oh, the bacon...!). On the way home from the theatre, I had a craving for a Vietnamese salad roll with shrimp and sliced cold pig (why not call it what it is?), which I got at a great little take-out place on Jean-Talon Blvd. It was delicious! But I recognize that I should at least be extremely picky about the animals that I do eat on occasion, which I mostly am. What constitutes “extremely picky” would constitute a whole other discussion, rather than a simple digression. But I digress... I hope this doesn’t distract from the issue at hand!

Most people I’ve spoken to don’t want to see this film. I, too, had hesitations. I could imagine the horror of a dolphin slaughter perfectly well, and didn’t want to have to see it.
However, I can say that The Cove is not needlessly violent, and there is only the one main slaughter scene, the crux of the movie. The Cove is more about the efforts of Ric O’Barry (Flipper’s trainer-turned-activist) and the filmmakers to expose the secret slaughter, and the espionage aspects of the narrative certainly are tense, but it's great storytelling as well. By the time the slaughter is finally captured, we are well-prepared for it, and on the side of O’Barry and the film team. The Cove is really well-made and passionate documentary, and needs to be seen.

Tuesday, July 21, 2009

Dear Zachary

Joe saw the trailer for Dear Zachary and immediately wanted to see it. He says that I saw the trailer with him, but I swear, I have zero memory of it. Has he mis-remembered, or am I really getting that senile? In any case, we finished watching it last night; it was at once horrifying, gripping, and overwhelmingly sad.

Dear Zachary by Kurt Kuenne is “about the 2001 murder of his best friend, Dr. Andrew Bagby; Andrew was killed by his ex-girlfriend, who fled the United States for Canada, then discovered she was pregnant with Andrew's son, whom she named Zachary. Originally begun as a project for Zachary to learn about his father, the film follows Andrew's parents' battle to win custody of their grandson from the clutches of their son's murderer, and is an activist plea for reform to Canada's flawed bail system, which allowed Andrew's murderer to walk free while awaiting extradition and kill again.” (From IMDb)

It’s difficult to criticize a documentary like this, one that is passionate and has a bona fide cause to champion. Suffice it to say that the material did not need the overly-edited treatment that Kuenne gives it; horror movie tropes and comic talking heads seemed at times just inappropriate. Tiny gripes, really, in the grand scheme of things. This film is so honest and heartfelt, so gut-wrenching and infuriating, that it will stay with me for some time. See it, then write to your member of parliament about bail reform. What’s art for, if not to change the world?

Monday, June 29, 2009

The US vs. John Lennon; Helvetica

Two documentaries that we’d been wanting to see for some time! The first one was triggered by a visit to the Montreal Museum of Fine Arts, which was celebrating the 40th anniversary of John Lennon and Yoko Ono’s famous 1969 Bed-in for Peace, held in Suite 1742 of Montreal’s Queen Elizabeth Hotel. We decided to watch The US vs. John Lennon a few days after seeing the MMFA show. It was a good, straightforward documentary, following Lennon’s peace activism (including the bed-ins) and his battle with the USA who wanted to deport him. There were a few overused effects that highlighted attempts to add interesting visuals to the talking heads, which were overall a bit annoying. But such a great subject!

On the other hand, Helvetica is a documentary about a font. Yup! But it’s also, of course, about the impact of visual design on our everyday lives, which I found fascinating. It’s maybe a bit overlong but the montages showing the ubiquitus font in logos and signs are really well-done. Yes, it’s a beautiful font, but there were times when I thought, it would be terrible if EVERYTHING was in Helvetica. One designer in particular was denigrating “terrible 1950s design” which I love… however, other designers provided counterpoint by saying that yes, it would be very boring if there was nothing but clean design and Helvetica. Both documentaries highly recommended!