2 Days in Paris / Two Lovers

I'd read a review of 2 Days in Paris, Julie Delpy's directorial debut, which described it as being rather Woody Allen-like, and it really is an apt description. I know Delpy mostly from starring in Richard Linklater's Before Sunrise and Before Sunset, which I happen to think are two of the most romantic movies of all time, so it was great to see her onscreen again. She strikes me as eccentric and kooky but down-to-earth at the same time. Her boyfriend in the film (played by Adam Goldberg) reminds me of so many neurotic people that I know, so it was kind of fun to watch him blunder his way around. The movie ranges from cringe-inducing to neurotic and messed up, but kind of sweet and decent, too. I really liked it, but when we lent the film to a friend, who admittedly has the opposite taste in movies than we do, he said he had to turn it off after fifteen minutes because he found the characters too whiny. A chacun son cinema!

The same friend recommended Two Lovers by James Gray to us, and so logically it would follow that we wouldn't like it. Actually, Joe thought it was just okay (though he was under the impression it was going to be a RomCom and it wasn’t), but I found it surprising and not too affected. I was surprised when the Joaquin Phoenix character, who seems a bit like Marty, a guy who lives with his parents and seems socially awkward, goes out to clubs and breaks with the best of them. Well, I guess that was the main surprise… besides the fact that the film paces itself out beautifully, takes its time with it. Gwyneth Paltrow gives more depth in her bad-girl portrayal than I’ve seen in some time. Isabella Rossellini, who is always wonderful, plays Joaquin’s mother wonderfully. The scenes are quiet and well-observed. Both these films ended up being paired well together in very opposite yet kind of complimentary ways. Nice!

Happy-Go-Lucky / The Wrestler / The Fountain

I'd heard way too often that Darren Aronofsky's The Wrestler was a pretty good film, which is the perfect way to ruin a film with high expectations. For example, Joe and I started watching Happy-Go-Lucky, Mike Leigh's latest, which we’d also heard was a good film. After ½ an hour, we decided not to continue. We found ourselves rather annoyed by the main characters, especially Sally Hawkins with her continuous cackle. Same as with the whimsical music that kept popping in. I may return to it, however, as I’ve heard that the beginning of the film is a bit of a misstep for Leigh, and I'm a fan of his earlier works.

The Wrestler, in spite of all my preconceptions, surprised me. It struck a good balance between gritty realism and Hollywood storytelling. It seemed heartfelt, and its excellent script was not too maudlin when it had so many opportunities to be. Mickey Rourke is great as an excellent ex-wrestler trying to make a come-back after a heart attack takes him out of commission. And we get a peek into behind the scenes of the world of professional wrestling, which seems way stranger than anything I could dream up, like stapling one's opponent with real staples. Whoa! Director Darren Aronofsky seems to be back on track after his strange and fantastical flop, The Fountain.

We actually hadn't seen The Fountain prior to seeing The Wrestler – well, not more than twenty minutes before giving up on it – but we were so impressed with Aronofsky’s latest that we thought we'd give it another shot. I can't say I regret doing so, if only because I haven't seen anything so outlandish in quite some time, but it was really, really, really, um, strange. Not in a good way. New-Agey and sentimental and poorly acted. I'm glad that The Wrestler followed, because I might have written Aronofsky off, otherwise.

Moon

The first thing I noticed about Moon is that for a science-fiction film, the set is very human. The machines looked used and duct-taped together, and have sticky notes posted to them with instructions like "kick me". The living quarters are a comfortable mess. It's so much more realistic than those super art-designed classics that we all know and love, and which are often alluded to in the movie. For instance, the computer named Gerty (voiced by Kevin Spacey) is calm and soft-voiced, but it isn't evil or malicious, though of course you expect it to be. Sam Rockwell gives a brilliant, understated yet anguished performance as a man who's about to finish a three year solitary mining contract on the far side of the moon. Clearly, three years of solitude is too much for a man! Duncan Jones has made a really wonderful film... with no hyperbole, Moon was the best new movie I'd seen in quite a while, a quiet, humanist sci-fi tale.